In the Omnipresent series, Guy Ghazanchyan explores the boundaries of perception and the dissolution of the human figure into space. The images balance between the real and the ephemeral: dense, textured brushstrokes create a sense of materiality, yet the silhouettes seem to slip away, merging into the background.
Urban and industrial motifs intertwine with fragmented figures, evoking a feeling of elusive presence—where a person is both here and vanishing at the same time. These works immerse the viewer in a state of instability, prompting reflection on the fluid boundaries between the self and the surrounding world.
Omnipresent is more than just a series of paintings; it is a visual metaphor for dissolution, an attempt to capture the moment when identity becomes part of an endlessly shifting landscape.
